阶段1

 最早这个创作系列概念性和仪式感居多，都有一个封闭的圆圈，这也是一个神秘古老的圆圈，这个魔力的圆圈在无数的民俗和民间传说中都有提过。曼陀罗图案有一个明显的目的就是在人的最核心的自性周围画出有保护性的壕沟，以防止精神的外泄，再想办法防止外部事物对精神造成的偏离。类似于“结界”，使人处于没有障碍而又洁净的环境，摒弃一切杂乱障碍之物。

The earliest stage of this series is more conceptual and ritual. There is a closed circle, a mysterious and ancient one. Countless tellings of myth and folklore have mentioned this magic circle. The obvious purpose of Mandala pattern is to draw a protective trench around the core of the human nature, to keep the spirits all together and prevent the encroachment of external disturbances to the spirit. To that end,people will be in a barrier-free and clean environment and may abandon the disorders of things.

阶段2

认为人就是曼陀罗，所以可以称自己的身体是内曼陀罗，包括内部情绪，心理及状态变化，内曼陀罗随自心的开启而现。与此同时周围一切能够被感知，以及尚未被感知的精微之物以及事物的活动，都构成曼陀罗的元素。曼陀罗的结构和设想既表现了外部的形象化世界，也表现了内在的精神世界。是世界和我自己的心灵交互起作用的力量。

Phase 2

People are mandala, Our body are Mandala, including our internal emotional and psychological changes. Mandala flower blossoms when our hearts are open. At the same time, everything around us that may be perceived, as well as the more subtle energies and events that have not yet been perceived, constitute the elements of mandala. The structure and design of the mandala represent both the external visualized world and the inner spiritual world. It comes from the power of the interaction of the world and my own spirits.

曼陀罗的中心不仅是空间概念，而且也是时间概念，时间的中心就是现在；人的存在如同曼陀罗，曼陀罗的中心象征人的中心，是这个人经验的中心，也是他的基本方位（北、南、东、西）的中心。 曼陀罗的中心也是一个永恒不变的潜能中心。从这个取之不尽的源头，所有种子得以生长、发展，所有细胞得以实现其功能，像是生命和意识的统一。

The center of the mandala is not only about the concept of space, but also about the concept of time. The center of time is now; human beings' presence is the center of mandala, the center of the person's experience, and the center of his basic (North,South, East, West).

Datura is also a center of eternal potential. From this inexhaustible source, all seeds grow and develop, cells will realize their functions. Datura is the unity of life and consciousness.

曼陀罗在内心迷惘混乱时呈现，是一种恢复平衡和秩序的自然方式；代表着形成、转化、不朽精神的永恒再创造。其中内部与外部关系是始终变化的，并相互渗透。

Mandala appears when we have inner confusion and is a natural way to restore balance and order. It represents the re-creation of formation, transformation, immortal spirit and unity of internal and external relations, always changing, mutually penetrating.