Image
Jianai
影像存在於日常生活和匿名者的灰色調子中，在轉換、錯位、中性的縫線中把它們拆開，減輕它們的超載，給它們灌輸內在哲思的透明性；因此不在於形象的自身而包圍形象的虛空中被安置於其中的無限，展示可見物的不可見性的不可見程度。
Images exist in the gray tones of everyday life and anonymity, disassembling them in converted, misplaced, neutral sutures, alleviating their overload, instilling transparency into their inner philosophies; therefore, not in the image itself. The infinite void in which the imaginary image of the image is placed reveals the invisibility of the invisibility of the visible object.
Walking
image, 2017
frame
image, 2014
dowry
image，2013
Garden of Eden
image，2018
tower
image，2014
desire
image，2016
looking for you and me
image，2014
a game
image，2018
Fence
image，2018
circle
image，2016
Dark green echo
image，2015
Cupping
image，2016
Sofa with stone
image，2018
Two ways
image，2018
Dog and chair
image，2016
