Digital micro-spray on canvas，2017- 何家明

2018年11月2日

Digital micro-spray on canvas，2017

Jianai

何家明在他的經驗中，在他的語言中，這成了他個人雙重性痛苦中折射出來的痛苦；在他的作品中以多元性被連接，又被分離、被組合、又被排斥而創造出一面鏡子，在虛擬空間中不斷疊加以一種純粹簡單的透明性所力圖傳達情感被感知，被想像打開自身形象的無限空間的鏡子。

在每一件作品中，那窄窄的線條以一種隱秘的垂直性重迭於自己之上，乍看起來更為隱蔽、似是而非的東西，只有在有意無意地恍惚的瞬間，才能對它有所察覺。

他鑄造的迷宮龐大而隱秘，而自我切割變成自己的鏡像；自身因對死亡的恐懼而設想出形象，可見的和永恆的符號在死亡之界線中，開啟了一個無限的空間。在它的路徑上留下痕跡那一刻開始從而逃脫在面前的命運，講述進入到既與死亡接壤也與死亡相抗衡的空間，好似多重鏡子在無限的遊戲中生出自己的形象。

令人緊張的氛圍中，漫長的靜默來自廣袤的蒼穹，環繞在一種與世隔絕的幾何圖形線條，打破死亡曲調歡愉表達雙重性的痛苦，顫抖得像個孩子漸漸從夢中驚醒，感官仍因夢境而暈眩，置放於界線顯示以簡單、連續，單調的符號語言，依賴影像無限的言談來推遲類比死亡的空間。

最終是為了擺脫死亡，聽到真實的形象以縮微，內在，虛擬的模式呈現：鏡子般的反射死亡來構建一個無限的空間，無止盡的重複、重述、重迭自己，並可以主動超越，作為它自己後面的存在物來無限的闡述自己；無限放置在自身之外變成一個虛擬、循環的鏡子，結束於一種從自身抽離的封閉形式，以無限延伸的儀式非常怪異的再現自己，並延展自己的生命直至今日的存在。

In his experience, He Jiaming, in his language, has become the pain reflected in his personal duality pain; in his works, he is connected by pluralism, separated, combined, and rejected. A mirror is constantly superimposed in the virtual space with a purely simple transparency that tries to convey the emotion that is perceived and imagined to open the mirror of the infinite space of its own image. In each piece of work, the narrow lines overlap on top of one another with a hidden verticality. At first glance, it is more subtle and plausible. Only when it is intentionally or unintentionally smashed can it be aware. The maze is large and secret, and self-cutting becomes its own mirror; its own image is conceived by fear of death, and the visible and eternal symbols open an infinite space in the line of death. The traces of its path begin to escape the fate in front of it, telling the space to enter into the border between death and death, as if multiple mirrors gave birth to their own image in an infinite game. In the tense atmosphere, the long silence comes from the vast sky, surrounded by a geometric line that is isolated from the world, breaking the pain of the joyful expression of the death tune, shaking like a child gradually awakened from the dream, the senses still cause Dreams are dizzy, placed on the line to show a simple, continuous, monotonous symbolic language, relying on unlimited speech to delay the space of analog death. The ultimate goal is to get rid of death, to hear the real image in a miniature, intrinsic, virtual mode: mirror-like reflection of death to build an infinite space, endless repetition, retelling, overlapping, and can actively transcend, Infinitely expounding himself as the existence behind it; infinitely placed outside itself becomes a virtual, circular mirror, ending in a closed form that is drawn from itself, reappearing itself with an infinitely extended ritual, and Extend your life until today.

Digital micro-spray on canvas，2017