作品描述

Holy Mountain
Material: mineral colour, gold foil, oil paint, propylene, wood
Size: 1.5m x 2m
2016-2019
This painting dissects the form of landscape clouds and shadows, and the artist tends to express the form of right angle and straight line. The object is large and thick in color and expands out of the canvas.
This work constructs, analyses and reorganizes western cubism, three-dimensional sculpture, Buddhism and Chinese mountain water to form a work containing various cultures, beliefs and meanings, which collides with a glorious atmosphere of futuristic chaotic homology.
Artists pursue the form of fragmentation, analysis and reassembly to form a separate picture, with the fragmentation of many combinations as the goal of artists. Artists describe objects from many angles and place them in the same picture to express the most complete image of objects. The staggered overlapping of various angles of the image results in many vertical and parallel line angles. The background interacts with the theme of the picture to create a two-dimensional painting feature.

圣山
材料：矿物色，金箔，油画，丙烯，木
尺寸：一米五乘两米
创作时间：2016-2019
此画作解剖了山水云影型态，艺术家倾向于直角与直线的表现形式。物体大而颜色敦厚，向画布外扩张。此作品将西方立体主义、立体雕塑、佛教、中国山水解构、分析、重组，形成一幅含有多种文化、信仰与意味的作品，碰撞出一种宏富辉煌的未来主义混沌同体论学的气氛。
艺术家追求碎裂、解析、重新组合的形式，形成分离的画面──以许多组合的碎片型态为艺术家们所要展现的目标。艺术家以许多的角度来描写对象物，将其置于同一个画面之中，以此来表达对象物最为完整的形象。物像的各个角度交错叠放造成了许多的垂直与平行的线条角度。背景与画面的主题交互穿插，让画面创造出一个二度空间的绘画特色。